thread of audio abominations and various heresies.

[Necrometer]

SPOILERSPOILER_SHOW

and they're actually right

still, death to false metal

LOL at that devilana vid

foot-foot's vids from last page for when I need 'em:

SPOILERSPOILER_SHOW

Loudwire is the gift that keeps on giving;

[copstache]

really evokes feelings that come with uprooting and throwing oneself into the complacent, monotonous routine of adulthood."

BOY THAT FUCKING SOUNDS LIKE SOMETHING WORTH LISTENING TO

[Necrometer]

just revisiting this dual disaster in re-recorded vocals:





the gang vocals and non-standard deliveries are especially bad

[Cascade Whore]

[Cascade Whore]

Remember the little kid from the "Chinese food" song?





She's 11 or 12 here

[Foot Foot]

"Alison Gold is an American singer, actress, dancer and a rising child pop star."

that's not how you spell "porn".

[Foot Foot]

[FVBTVS]

reminds me of

[Foot Foot]

Stream Miley Cyrus & Her Dead Petz’s Surprise Album Feat. The Flaming Lips, Ariel Pink, Phantogram, & Big Sean

[FVBTVS]

[copstache]

imagine if that shit was actually edgy and not something to piss off grandparents

[postaddiction]

I listen to modern rock radio fairly regularly -- partially because my technology game is not on point, partially because I'm a lazy old man.

These are some of the worst musics I have ever heard.

SPOILERSPOILER_SHOW

The Stone Sour rabbit hole informed me that they released a cover album...

[Ray]

just revisiting this dual disaster in re-recorded vocals:

SPOILERSPOILER_SHOW

the gang vocals and non-standard deliveries are especially bad

Just AWFUL. I heard my brother trying to revisit this album with the remaster and I barged in like wait wait wait no no no no

original Take No Prisoners was tits IMO

[Necrometer]

I barged in like wait wait wait no no no no

ahahaha

[featherboa]

i don't know my rust in peace as well as some but that sure sounds completely fucked up

[Foot Foot]

https://soundcloud.com/adultswimsingles/slayer

[Necrometer]

having lived through their version of "born to be wild", that new track doesn't even register on the badslayerometer

[copstache]

[featherboa]

heh

[featherboa]

who is the intended audience for shit like that?

[Necrometer]

I just wanted to leave this link here, but I guess a new page demands at least one video...
https://www.youtube.com/user/GarciaAnge ... w=0&sort=p




respectable pecrobatics at 1:38

[Foot Foot]

[Foot Foot]

[antinatalism]

[Foot Foot]

caught a public access music video show last night. here's the ones i could find online;

SPOILERSPOILER_SHOW

TEXT-ACY

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15 Year old singer songwriter Jacob McCarthy
Long Island, New York’s Jacob McCarthy may still be a sophomore in high school, but he has been flexing his musical muscle for over a decade. The product of singer-songwriter parents who could sense his passion for music from the beginning, Jacob began singing at the age of four and should regularly find himself immersed in talent and variety shows. Once he caught the bug for performing he began to write his own songs, inspired from his vast library of music ranging from Simon and Garfunkel, Paul McCartney, Billy Joel, Eminem, Hopsin and so many more. He is a versatile vocalist with tone and natural range with the ability to hear pitch perfect.
With this kind of pedigree and dedication it’s only expected that McCarthy would approach music with a maturity that even the most seasoned performer would envy. Take his new single “One Gun,” for example. Most people would not expect an artist still in his teens to have so much to say about the trials and tribulations of falling, and staying, in love. The opening line hits hard and serves notice that Jacob means every word; “It only takes one gun to end my life but for you I would sacrifice.” His pain is real as he sings about a forbidden love that he feels determined to make his own, despite the odds.
The video itself is an understated accompaniment that compliments the minimalist production of the song with a graceful touch. To truly translate the depth of the music McCarthy elected to film only himself on a dimly lit stage, first on the bench of the piano and then stepping out into the spotlight at the front of the stage. There are no fancy tricks or games needed to bring home the connection between Jacob and his audience, just a young man and his voice. He brings the lights up at the end to reveal an empty amphitheater, proving that he is singing this song not for the praise of the many, but for the affection of one.